Author Archives: julesmoon

trunkshow at sunspun

I’m writing this in the dusk of an Australian summer day as Scotto and I begin our annual holiday in Melbourne to see our family and friends… it’s always so lovely to be back among loved ones and in our beautiful landscape and I’ve been reacquainting myself with all the plants that I love here- getting to enjoy the freshness of these early summer mornings is jet lag’s silver lining!

I just wanted to let those readers in Melbourne know about a small trunkshow that Amy of Sunspun and I are holding next Friday November 30th! I’ve brought a small selection of plant-dyed yarns pouches, kits and samples with me and will be hanging out knitting and catching up with my Melbourne community from 3-7pm at Sunspun in Canterbury. Please feel free to pop in for a quick look or an afternoon of knitting with Amy and I- it would be lovely to see you!

And there’ll be some lovely new things coming up in the shop before Christmas- a new design collaboration with my dear friend Anna Maltz that combines a gradient of my Masgot Fine with the natural shades of Garthenor’s Ronas (I’ll be adding kits for the design and a whole range of colours in Masgot Fine) and a small run of pouches embroidered by Lorna Reid of Chookiebirdie. I’ll send out a newsletter closer to the time to confirm the date and details of the update but just wanted to let you know in advance about these! 

Wishing you a lovely weekend…

rauwerk x woollenflower

I’ve been working with a new yarn base recently and I’m thrilled to finally put it out into the world- Woollenflower Rauwerk!

I first met Christine of Rauwerk in 2016, when we had the chance to sit and talk about a project that she was working on- an old family friend had offered her the year’s clip from his flock of Bavarian Merino and she was just about the make the leap into yarn maker and yarn shop owner… it was a big step but I could see that she had a good dose of determination and respect for both the fibre given by the sheep and the need for quality yarns for our knitting community. Based partly in London and partly in her home city of Munich, Christine decided to work with a mill in the nearby Chiemgau region, the mill that spins the yarns used to make the traditional Bavarian trachten, a structured, sturdy knitted jacket characteristic of the region. Christine wanted to create the same soft, durable yarn and I was so excited to see and feel her samples- I really love the airy lightness and bounce of woollen-spun yarns and yet have found it very difficult to source any woollen-spun bases produced here in the UK, as most of the machinery here produces worsted yarn. And so, this summer, I have dyed the first batch of Rauwerk and am thrilled with it!

Woollenflower Rauwerk, dyed with logwood

Three shades of Woollenflower Rauwerk, dyed with logwood

Rauwerk is a 2-ply, woollen-spun yarn that can be knitted more densely as a DK-weight or, on slightly larger needles, as a worsted-weight. It has enough twist to give it good stitch definition and enough airiness to keep it light and squidgy. And the Bavarian Merino produces fibres that are stronger than super-fine Merinos in other parts of the world but still plenty soft for most of us to wear next to our skin. It’s a perfect yarn for garments, displaying colourwork and textured stitches beautifully, as well as accessories, blankets and anything designed to keep you warm…

Three shades of Woollenflower Rauwerk, dyed with avocado

Woollenflower Rauwerk, dyed with madder

I’ve been happily surprised by the depth of colour I’ve been able to achieve on this base as finer, non-superwash Merino don’t often give strong shades- I imagine it’s partly because the fibres are that little bit stronger…

Woollenflower Rauwerk, dyed with pomegranate and rhubarb

Woollenflower Rauwerk, dyed with weld and indigo

As well as dyeing Rauwerk, I’ve also been busy putting together a range of knitted samples in it, an essential part of showing what you can use a yarn for! I could never knit enough samples but am lucky to have several willing friends with whom I’ve been able to find a way to trade skills and resources. And it’s these working relationships that really help foster friendships and a sense of working with others that I miss as a solo dyer!

Jared Flood’s Furrow Cowl, knitted by Maaike

Amy Christoffers’ Savage Heart Cardigan, knitted in Rauwerk dyed with madder

Amy Christoffers’ Savage Heart

Orlane Sucche’s Dubula, knitting in Woollenflower Rauwerk by my friend Emma (also a natural dyer!)

You can find all the vital stats on Rauwerk on Ravelry and preview the shades I’ve dyed in the shop– these will be released tomorrow, Sunday October 21 at 11am Glasgow time as part of a shop update (along with a small number of pouches, embroidered by my lovely friend Lorna of Chookiebirdie). And, if you miss out on a colour that you’d like, please get in touch to organise a custom order!

Hexagon pouch, embroidered by Lorna Reid of Chookiebirdie

Hexagon pouch, embroidered by Lorna Reid of Chookiebirdie

Wee Fox pouch, embroidered by Lorna Reid of Chookiebirdie

pippu shawl

Happy New Year to you! I really hope that 2018 promises to be a good one for you and that you have some lovely plans to look forward to… my year is still taking shape but, after a wonderfully busy 2017, I’m aiming for a good balance of time at home and some adventures further afield this year! In this quiet time of planning and regrouping before the work year starts, I just have a bit of news that I wanted to pass on- a new knitting design in woollenflower yarns!

Pippu Shawl by Ambah O’Brien

Pippu Shawl by Ambah O’Brien

Pippu Shawl by Ambah O’Brien

Ambah O’Brien, who I met at this year’s Craft Sessions after following her work online for years, has used my plant-dyed Kid Mohair/ Silk and Alpaca/ Silk/ Cashmere together for her Pippu Shawl, named for the avocado pips used to dye the shades for her sample, pippu being the Japanese word for pip. Among other things, Ambah is known for designing beautiful shawls that are both wearable and interesting to knit so I was thrilled when she chose to work with my yarns and really interested to see what she came up with. For Pippu, Ambah drew inspiration from a recent trip to Japan, its gentle ripples and lace reminiscent of a Zen garden with its walkways trimmed with mosses; playing with textures and the way the dye material is taken differently by the different fibres, Pippu is a gentle design, perfect for the softest yarns in soothing colours. Knit on the bias, it begins with easy stripes, alternating a fingering-weight with a single strand of laceweight, followed by a simple lace section worked with the laceweight doubled, giving the asymmetrical triangle a floaty finish.

Ambah is releasing the Pippu Shawl on Ravelry tonight, Friday January 5 Glasgow time. I’m always thrilled to see what people make in my yarns and can’t wait to see some more Pippus out there so please do tag me on Instagram and use #pippushawl so that I can keep up with your projects!

Pippu requires 1 skein of Woollenflower Alpaca/ Silk/ Cashmere (400m/ 100gm) and 2 skeins of Woollenflower Kid Mohair/ Silk (420m/ 50gm) and some of each will be available in the shop tonight- that’s Friday January 5 at 9pm. They are now listed for preview if you’d like to have a look! Ambah worked her shawl with both yarns dyed with avocado pips to achieve a subtle variation in colour and I have dyed 5 shades of both yarn bases in the same dyebath to achieve a similar result, however there is also the option of adding more contrast to the stripes by choosing more contrasting shades… 

Buckthorn berries and logwood

Madder

Avocado pips

Indigo and goldenrod

Indigo

Well, that’s it for now but I wish you all a very peaceful January, whether you’re snuggling by the nearest heat source in the northern hemisphere like me or relaxing in the summer heat down south! Either way, may you have time for the things that make you happy…

Pippu Shawl

shop update

Hello! It’s been quite a while since I’ve had a chance to sit down and write here… I really wish I’d been able to make time to do so as I love sharing a little of what I’ve been seeing and doing but I suppose we all have to prioritise activities and this year has been so full of lots of wonderful travels that I this little place has not got a look in. And I know I’m not alone is feeling that, somehow, the longer between posts, the harder it seems to get back to write one. But I do have a couple of plant and dye posts in the works and more waiting and hope to share them with you over the next couple of weeks! In the meantime, I just wanted to let everyone know that I’m adding some pouches to the shop tomorrow…

A plethora of pouches

This is a cheerful bunch, made up of some of Lorna‘s beautiful handwork (that has been so loved by many of you- thank you!) and a few special fabrics. I’ve slowly worked my way through my lovely collection of worn-out jackets (and have also been doing a lot more plant-dyeing) and, as a result, my pouch-making has slowed down this year… I see this as a natural part of the way I work- there are only so many beautiful Harris Tweed jackets out there needing a new life and my focus has always been to do just that, to find a purpose for waste. But I stumbled on some beautiful (new) fabrics that I wanted to highlight in a short run of pouches, this time from Peter Grieg of Kirkcaldy, the same mill that weaves the linen I use to line my pouches. They are made from lambswool so are a softer fabric than HT but are based on some of the old Scottish tweeds and tartans and make a lovely juxtaposition to it.

Benmore Red from Peter Grieg (L, M and S)

Ancient Robertson (L and M)

As you can see, I’ve also expanded my range to include three sizes of pouches! Over the last couple of years, I’ve stored up some larger scraps so, when Rachel of Daughter of a Shepherd asked whether I’d be able to make some different sizes for our collaboration, it seemed like a great time to start using them. Because of the way I work, not all sizes are available in every fabric- it really depends on what size pieces I have- but I do have quite a few of each size in this update. My standard pouch is now my M and I’ve added a S (perfect for notions or needles) and a L (fits a medium shawl project or a baby garment) and they are £26, £23 and £30 respectively.

Harris Tweed (L and M)

And the other special fabric in this update is this wonderful hot-pink and green wool boucle!

Josh’s wool boucle

I was lucky enough to be contacted by Josh, a Dutch knitting friend from Instagram, offering me this wonderful vintage wool boucle- it had formed part of her godmother’s treasured fabric stash until her recent death and Josh really wanted to find a way to honour her and her stash and wondered if it might work as pouches. I held it back for a while, unsure if it was a bit thick for the purpose, and then realised that the gauge of the fabric would work really well as a larger pouch. And it does- the combination of that hot-pink/ grass-green/ sage check and the plump, dense fabric has made super cosy pouches and I love them!

So that’s the update. Please do head over and have a look if you’re interested- they are available for preview now and for sale tomorrow evening, Friday December 1 at 8pm Glasgow time. (For any overseas buyers keen for delivery before the holidays, please get in touch after making your purchase to discuss postage- as a guide, a small parcel containing up to 3 pouches tracked to Australia/ US costs £12.95 and takes an estimated 7-10 days. Please note that, while it’s almost certain to arrive by December 24, I can’t guarantee delivery!)

Many thanks for your interest!

shop update: pouches!

In the lead up to this year’s Edinburgh Yarn Festival, my friend Lorna of Chookiebirdie and I hatched a plan to work on a small collaboration- I would make some of my regular pouches and she would work her magic on them, embroidering with wool felt and threads in her own charming style. I left the design up to her but, as the base fabric was a dark, heathered blue-brown reminiscent of the sea and seaweeds of West Scotland, we discussed the idea of a sea creature of some kind… we hoped that they’d capture the hearts of knitters attending the festival and they certainly did- her oystercatchers (an iconic bird found on Scottish coasts in the warmer months) had such life and character that they found homes in the first ten minutes of the show! So, when the opportunity to exhibit at Pomfest came, we thought it was time to make more of those beautiful pouches for me to take along! And, because I know that not everyone can go to Pomfest, I held back a small number for the shop  : )

Lorna made more Oystercatchers…

Oystercatcher Pouch

Oystercatcher Pouch

as well as exclusive Pompom heart pouches to celebrate the fifth anniversary of Pompom magazine…

Pompom hearts for Pomfest!

Pompom hearts for Pomfest!

and used the wee knitting foxes from her much-loved badges on others…

Wee knitting foxes!

Wee knitting foxes!

and combined birds and flowers for these- perfect for a Chookiebirdie-woollenflower collaboration, aren’t they?

Bird and Flower Pouch

Bird and flower pouch

I also have a handful of my own, unadorned pouches going into the shop too…

A classic herringbone in silver/ charcoal

Beautifully subtle salmon/ oatmeal

A warm and joyous blue

Shades of heather from a 1970’s Scottish skirt

As you can see on the sky-blue and charcoal pouches, I’ve used tweed from jacket fronts that have darts in them… for a long time, I stored these pieces, assuming that people would not want seam lines on their pouches and wondering what I could do with them. And then, talking to Lorna, I discovered that she didn’t think that seams were a problem, that people may in fact feel that the seams told more of the story of the jacket as origin… I hadn’t thought of that! That is such a good example of why working with others is so important- it’s just so easy to become fixed in the way we see things, isn’t it?

All the pouches are now in the shop for a sneak peak and will be available at 9pm Glasgow-time tomorrow, Sunday July 30. Enjoy and many thanks for your interest in my work!

(A brief word on pricing… Lorna’s pouches are a very special bunch and the price reflects the fact that they incorporate both her handwork and my sewing. And I have been holding off on increasing the price of my pouches but, after hikes in the cost of materials, such as zips and lining, I’ve had to push it up a bit. I hope that you understand and that it doesn’t make them too exclusive- I’m increasingly aware of the fact that certain corners of the knitting community can be a bit intimidating to those with less income so please do get in touch if you desperately want one but are not able to afford it- I’d be very happy to discuss a trade of some kind!)