Category Archives: dyeing

rauwerk x woollenflower

I’ve been working with a new yarn base recently and I’m thrilled to finally put it out into the world- Woollenflower Rauwerk!

I first met Christine of Rauwerk in 2016, when we had the chance to sit and talk about a project that she was working on- an old family friend had offered her the year’s clip from his flock of Bavarian Merino and she was just about the make the leap into yarn maker and yarn shop owner… it was a big step but I could see that she had a good dose of determination and respect for both the fibre given by the sheep and the need for quality yarns for our knitting community. Based partly in London and partly in her home city of Munich, Christine decided to work with a mill in the nearby Chiemgau region, the mill that spins the yarns used to make the traditional Bavarian trachten, a structured, sturdy knitted jacket characteristic of the region. Christine wanted to create the same soft, durable yarn and I was so excited to see and feel her samples- I really love the airy lightness and bounce of woollen-spun yarns and yet have found it very difficult to source any woollen-spun bases produced here in the UK, as most of the machinery here produces worsted yarn. And so, this summer, I have dyed the first batch of Rauwerk and am thrilled with it!

Woollenflower Rauwerk, dyed with logwood

Three shades of Woollenflower Rauwerk, dyed with logwood

Rauwerk is a 2-ply, woollen-spun yarn that can be knitted more densely as a DK-weight or, on slightly larger needles, as a worsted-weight. It has enough twist to give it good stitch definition and enough airiness to keep it light and squidgy. And the Bavarian Merino produces fibres that are stronger than super-fine Merinos in other parts of the world but still plenty soft for most of us to wear next to our skin. It’s a perfect yarn for garments, displaying colourwork and textured stitches beautifully, as well as accessories, blankets and anything designed to keep you warm…

Three shades of Woollenflower Rauwerk, dyed with avocado

Woollenflower Rauwerk, dyed with madder

I’ve been happily surprised by the depth of colour I’ve been able to achieve on this base as finer, non-superwash Merino don’t often give strong shades- I imagine it’s partly because the fibres are that little bit stronger…

Woollenflower Rauwerk, dyed with pomegranate and rhubarb

Woollenflower Rauwerk, dyed with weld and indigo

As well as dyeing Rauwerk, I’ve also been busy putting together a range of knitted samples in it, an essential part of showing what you can use a yarn for! I could never knit enough samples but am lucky to have several willing friends with whom I’ve been able to find a way to trade skills and resources. And it’s these working relationships that really help foster friendships and a sense of working with others that I miss as a solo dyer!

Jared Flood’s Furrow Cowl, knitted by Maaike

Amy Christoffers’ Savage Heart Cardigan, knitted in Rauwerk dyed with madder

Amy Christoffers’ Savage Heart

Orlane Sucche’s Dubula, knitting in Woollenflower Rauwerk by my friend Emma (also a natural dyer!)

You can find all the vital stats on Rauwerk on Ravelry and preview the shades I’ve dyed in the shop– these will be released tomorrow, Sunday October 21 at 11am Glasgow time as part of a shop update (along with a small number of pouches, embroidered by my lovely friend Lorna of Chookiebirdie). And, if you miss out on a colour that you’d like, please get in touch to organise a custom order!

Hexagon pouch, embroidered by Lorna Reid of Chookiebirdie

Hexagon pouch, embroidered by Lorna Reid of Chookiebirdie

Wee Fox pouch, embroidered by Lorna Reid of Chookiebirdie

pippu shawl

Happy New Year to you! I really hope that 2018 promises to be a good one for you and that you have some lovely plans to look forward to… my year is still taking shape but, after a wonderfully busy 2017, I’m aiming for a good balance of time at home and some adventures further afield this year! In this quiet time of planning and regrouping before the work year starts, I just have a bit of news that I wanted to pass on- a new knitting design in woollenflower yarns!

Pippu Shawl by Ambah O’Brien

Pippu Shawl by Ambah O’Brien

Pippu Shawl by Ambah O’Brien

Ambah O’Brien, who I met at this year’s Craft Sessions after following her work online for years, has used my plant-dyed Kid Mohair/ Silk and Alpaca/ Silk/ Cashmere together for her Pippu Shawl, named for the avocado pips used to dye the shades for her sample, pippu being the Japanese word for pip. Among other things, Ambah is known for designing beautiful shawls that are both wearable and interesting to knit so I was thrilled when she chose to work with my yarns and really interested to see what she came up with. For Pippu, Ambah drew inspiration from a recent trip to Japan, its gentle ripples and lace reminiscent of a Zen garden with its walkways trimmed with mosses; playing with textures and the way the dye material is taken differently by the different fibres, Pippu is a gentle design, perfect for the softest yarns in soothing colours. Knit on the bias, it begins with easy stripes, alternating a fingering-weight with a single strand of laceweight, followed by a simple lace section worked with the laceweight doubled, giving the asymmetrical triangle a floaty finish.

Ambah is releasing the Pippu Shawl on Ravelry tonight, Friday January 5 Glasgow time. I’m always thrilled to see what people make in my yarns and can’t wait to see some more Pippus out there so please do tag me on Instagram and use #pippushawl so that I can keep up with your projects!

Pippu requires 1 skein of Woollenflower Alpaca/ Silk/ Cashmere (400m/ 100gm) and 2 skeins of Woollenflower Kid Mohair/ Silk (420m/ 50gm) and some of each will be available in the shop tonight- that’s Friday January 5 at 9pm. They are now listed for preview if you’d like to have a look! Ambah worked her shawl with both yarns dyed with avocado pips to achieve a subtle variation in colour and I have dyed 5 shades of both yarn bases in the same dyebath to achieve a similar result, however there is also the option of adding more contrast to the stripes by choosing more contrasting shades… 

Buckthorn berries and logwood

Madder

Avocado pips

Indigo and goldenrod

Indigo

Well, that’s it for now but I wish you all a very peaceful January, whether you’re snuggling by the nearest heat source in the northern hemisphere like me or relaxing in the summer heat down south! Either way, may you have time for the things that make you happy…

Pippu Shawl

munro, kintail and ardnamurchan

After being happily car-free for more than two years, we all of a sudden realised that we really wanted to have more freedom to explore Scotland and to see more of its wild and hidden places… in the best of affirmations, less than a month passed between making that decision and finding a perfect little van for ourselves, not for city driving but just for weekend hikes and camping and we are very happy that we made the decision! We’ve already got quite friendly with our “Munro”, heading out of Glasgow almost every weekend since, and it’s already enabled us to visit friends on the west coast, with more visits planned soon… Crucially for me, self-employed and working from home, it’s really creating a break between the end of the working week and beginning of the weekend, something I’m not very good at. So it’s a wonderful thing. And, just so you can see how wonderful, here are few highlights of the first couple of outings in Munro!

Rainbow over Loch Lomond

On the way up to Skye- Eilan Donan, one of Scotland’s most photographed views

Eilan Donan

One of the five sisters of Kintail

The view from Glenelg to the five sisters of Kintail

For all the HP fans: the Glenfinnan viaduct

In the hills of Ardnamurchan, looking to the west coast

As I said, another thing about Munro is that he enables us to visit friends around Scotland and the UK and I was especially keen to visit my friend Debbie and her husband John in Ardnamurchan. Deb has been extraordinarily supportive and generous since we met not long after Scotto and I arrived in Scotland and I really wanted the chance to spend some time with her (although on one of the world’s most beautiful train lines, Ardnamurchan is so beautiful that you want to cruise along the tiny coast roads and really take in the views, either in a car and on foot if you have the time!).

We timed our trip to combine it with a workshop run by Plantlife Scotland on lichens and the Celtic or Atlantic rain forests of the west coast of Scotland and so met Deb and John at the Ariundle Centre in Strontian. We spent the day learning about lichens- the complex, almost magical way that these organisms come about and the intricate relationships that they have with the plants and environment around them- and collecting and dyeing with some of the windfall species found in the rainforest. There are so many different species of lichen in this habitat…

A mini forest of lichens!

Lobaria sp

Lobaria sp

Dog Lichen (because of the "teeth" on the underside)

Dog Lichen (because of the “teeth” on the underside)

Macro closeup of the tiny fruiting bodies of Cladonia sp.

Lobaria pulmonaria (Lungwort)

Beautiful white crusty lichen and moss

Beautiful white crusty lichen and moss

And here are a few moments captured in the dye studio:

Preparing Bog Myrtle and Usnea dye baths

Fleece dyed with Lungwort, Usnea and Bog Myrtle

Usnea sp (Old Man’s Beard) and a small sample of fleece dyed with it

Yarn dyed with Lungwort

It was a wonderful day and a lovely way to share some time with new friends!

Next stop… who knows! But I know it will be somewhere beautiful- pretty much all of Scotland is stunning : )

last shop update for the year

Just a quick heads up that I’ll be updating the shop with some pouches, cowls and plant-dyed yarns tomorrow, Sunday November 20 at 8pm Glasgow time! Below is a sneak peek but you can also preview all items in the shop now if you’d like a bit of time to have a good look.

Pouch made from dressmaking scraps

Pouch made from dressmaking scraps

Shetland Pine Cowl in Flannel/Bokhara

Shetland Pine Cowl in Flannel/Bokhara

Plant-dyed baby alpaca/ linen/ silk

Plant-dyed baby alpaca/ linen/ silk

Plant-dyed kid mohair/ silk

Plant-dyed kid mohair/ silk

I’m heading back to Australia for a fortnight on Thursday so all orders received by 9pm Wednesday will be sent before I leave, in plenty of time for Christmas post!

Please feel free to email me if you’d like to discuss yarn colours (always difficult to assess on a computer screen!), combining postage or other issues…

Huge thanks to all of you for your interest in and support of my work this year, whether dyeing and making, knitting, travelling or plant-hunting- I really appreciate it and would like to wish you a happy and peaceful end to the year xx

scalene

Lovely and patient readers, it’s been ages! I must apologise, I’ve been busy and have lots to share here but no time to sit and write an in-depth post… so instead, for now I’m just going to show you a shawl I finished a few months back, one that’s been in regular rotation both on me and as a sample at a couple of knitting events.

This is Scalene by Swiss designer Nadia Cretin-Lechenne:

Scalene

Scalene

Designed for Brooklyn Tweed in fingering-weight Loft, I wanted to knit it with two of the yarn bases I’ve been working with this year- a laceweight kid mohair and silk and light-fingering baby alpaca/ linen/ silk, dyed with madder and logwood. Held together, they form a blanket-like shawl with all the qualities of the alpaca, silk, linen and kid mohair- very warm, drapery and soft and incredibly light, given how huge it is!

Scalene

Scalene

I love holding different yarns together to create knitted fabrics and am particularly pleased with this texture- the alpaca/ linen/ silk forms a kind of base to display the garter stitch and lace, over which the mohair halo floats, and the coppery-pink and purple yarns combine to make one of those indefinable colours.

Scalene

Scalene

When I wear my Scalene, I feel wrapped in light and warmth! I’d really recommend making it- it’s a nice easy knit, mostly garter stitch with a bit of lace at the end of each right-side row and results in a lovely piece that is easy to wear. I made a couple of modifications- the two yarns held together made a heavier fabric than the Loft did so I used 4.50mm needles instead of 3.50. Asgain, because of the bigger gauge, I worked 16 repeats of the patten (instead of 18) before I started the lace edging as it was already plenty big enough! Just one thing to note- I ended up using much less meterage than the pattern called for (840m of each instead of 1200+) and I’m not sure than cutting out two repeats accounts for such a drastic difference? If you’re interested, you can find more details and pictures via my Ravelry project page

Thanks to Nadia for such a lovely design!