Well, it’s been so long between posts that I’ll be thrilled if anyone at all is still reading this little blog of mine… It’s been a very busy few months- both at Sunspun and in my own work- but I’m finally getting my feet back on the ground and have emerged from winter thoroughly inspired and ready for spring!
There’s so much to share that it might require a few installments. But I’ll start with the glory that was and is the Craft Sessions…
I have to admit that I was a little worried going into the second CS. It couldn’t possibly be as ace as last year. Could it? The answer to that was a deafening YES! I don’t know how Felicia did it, organizing such a amazingly successful event while traipsing around Europe in a campervan with her partner and three kids and very sporadic internet- what a champ! As a teacher at least, it was such a happy event, with a lovely balance of challenge and enjoyment in the classes offered and, like last year, a group of people willing to be vulnerable enough to come away with a group of strangers and take on something completely new. That’s a rare thing.
My CS classes were in the same vein as last year- colourwork knitting and dyeing with plants- but with some twists. I love spreading the joys of stranded colourwork and this time, I had 12 newbies working on a 10ply hat (that will be available very soon on Ravelry) and learning to work with a yarn in each hand- fun!
I also ran a class on steeking, a technique that is so perfect for a class because it can be such a scary thing to try on your own. I think my students were blown away by how secure a steek actually is and also reassured by the fact that there is a steek for all yarns and circumstances! I’m running the very same class at Sunspun on October 8th and there is one place still available so get in quick if you’re keen to try this ace technique.
And then I spent the whole day on Sunday repeating an experiment that I’d tried a couple of years ago as the basis for a class to introduce new dyers to the processes involved in dyeing with plants and other natural materials. I really wanted participants to come away with a good understanding of the process from start to finish and how to achieve different colours using different mordants and modifiers. We used madder as the dyestuff and then alum, rhubarb leaf, copper and iron as mordants before dyeing and vinegar, washing soda, copper and iron as modifiers after dyeing. As always with dyeing, I learned a lot and found that, as opposed the last time I did this experiment where pre-treatments seemed to have more impact on colour, this time it was the post-treatments that affected the colour more. And that the pre-treatments weren’t as effective on silk fabric at the concentrations I normally use on wool yarns.
Here you can see the 5 groups of 5 pieces of silk, each piece having had a different combination of pre-and-post-treatments. Next time I’d increase the amount of mordants used when pre-mordanting the fabric to get a wider range of colours, especially copper. But the colours are lovely anyway!
After we’d dyed and then modified the skeins of yarn, we finished the day by making shade cards of both yarns- I was super excited to make my very first shade cards!
We didn’t have time to make cards of the silk fabric so I decided to take them home and cut them up for everyone. The fabric colours were just too lovely to miss out on. I mostly dye yarn for knitting with but I was super inspired to dye more fabrics from now on…
The whole weekend was such a joyous experience and the culmination of so much planning and prep (I’m a chronic over-preparer!) that I felt quite flat after it ended. So now I’m counting down until the next one! A huge, huge thanks to Felicia, her support crew, my co-teachers and the many participants for your incredible energy and joy xx